I think the more interesting question here is why we so rarely are allowed to see these kinds of pictures. As Jordan admits, many of his photographs were taken clandestinely, since the processing facilities would not give him permission to shoot the material. Why? Certainly there are safety and legal issues to be considered, but those can be easily accommodated (they do it for Mike Rowe, after all). What is the inherent reticence in allowing Americans see the end product of our current consumption habits?
